Resume
Contacts:
264
Bloor Street West, Box # 22588 PO Box 478
Toronto,
Ontario, M5S 1V8 Bloomfield ON, K0K 1G0
416-895-0111
Associations:
Association
for Canadian Radio and Television Artists (ACTRA); Canadian Actors Equity
Association (CAEA); Canadian Society for Education through Art (CSEA) (Director
of Research 2015/16); International Society for Education through Art (InSEA);
Canadian Association for the Study of Women and Education (CASWE), Canadian
Artists Representatives of Canada (CARFAC).
Education:
PhD
(2000), arts education & cultural studies, Curriculum, Teaching and
Learning, OISE, University of Toronto.
M.Ed. arts
education, adult education, OISE, University of Toronto.
Arts
theory & practice, arts informed research methodologies, critical and
cultural theory, postmodern curatorial practice, learning in non-school
settings, feminist studies, disability studies, curriculum theory, performance
and performativity, and museum education.
B.A.
Universities of Toronto & Waterloo. Theatre and Fine Art.
LAMDA post-graduate
program. Other training includes: Eugenio Barba (Odin Theatre, Denmark), John
Broome (Stratford & LAMDA, movement) & Donald Himes (Feldenkrais), 40
Below (corporeal mime), Dance (Vera Davis, Toronto; LAMDA & Julliard, NYC).
Certificate
in Community-based Research, Wellesley Institute.
My
practice is performative and engages with/in diverse locations of/in culture.
It is a practice that honours the self, the other(s) and the knowledge that is
co-created. It is a practice that engages the self as a whole, a conversation
among multiples -- diverse perspectives, experiences, modes of thinking and
expressing. My study is in flux, in motion, as a place of multiple,
interdisciplinary arts practices. I work from the specific, the personal, the
local to explore structures, concepts, divergences and connections.
Solo
Performances:
2020: Fluting in Isolation: A COVID-19
Performance, for a Canada Council Strategic Initiatives Digital
Futures COVID-19 project.
2015: Emily Speaks, Art Gallery of Ontario.
2014: Brick, Visualeyez, Latitude 53, Edmonton.
Emigrante Desplazado… Independence DOM, Dominican Republic.
2013: “Walking”
Home, Global Performance Art Walk. Curated by
Ignacio Péréz, Venezuela.
Transitional Interfaces,
Canadian Society for Education through Art, Montreal.
RED Square, Political
Performance III, Serbia.
2012: Inter,
Global Performance Art Walk. Curated by Ignacio Péréz, Venezuela.
2010: Late, 24hr Butoh…this is not Butoh (choreography: Don Himes),
Cinecycle, Toronto.
Glenora
Crossing, Propeller Centre for the Visual
Arts, Toronto.
Swallowtail
Light, Regent Theatre, Prince Edward County
2009: To the Lighthouse: A Momento Mori,
DeLeon White Gallery, Toronto.
Lighthousekeeping,
Aceartinc, Winnipeg.
2008: Canto 1, Fleishman Gallery,
Toronto.
Cellu(h)er Resistance: The Body with/out Organs ? FADO
Idea Series , XPACE Cultural Centre, Toronto.
Travelling
Body worlds: UK & Newfoundland.
2007-8: Emily Speaks, York University,
University of Waterloo & Centennial College.
2006: Canc(H)er, in Pacing the Cage with
ARTIFACTS for Collisions 2006, University of Victoria.
Body as
site/sight/cite, CASWE,
Women and Health, York University.
2005: Body: Reclaimed in Community, Being
Uncomfortable, Brown University, Rhode Island.
Body in
Extremis,
Towards Tomorrow, Centre for Performance Research, University of Wales,
Aberystwyth.
2004: Body as Sight/Site, 7A 11D
International Performance Festival, A Space, Toronto.
Bodysight:
A Reclamation Project, Interdisciplinary
Landscape, Goddard College, Vermont.
Emily
Speaks, Trent
University.
Demolishing
da...... site, 4 Cardinals Project, Chile, Curator:
Alexandre del Re.
2003: Body as Sight (Site), Committing
Voice, Goddard College, Vermont.
2002: Hands On Environs, Breathworks,
Waterfront Trail Artists, Toronto.
1999: Conversations in Context, Union
Gallery, Queen’s University.
Emily
Speaks, Art Gallery of Ontario, Toronto.
1998: Emily
Speaks, Edward Day Gallery, Kingston, Ont.; McMichael
Canadian Art Collection.
Tentanda
Via, Hart House, University of Toronto.
1997: Emily Speaks, the Ontario Women’s History
Network, Toronto; The Waring House, Picton, Ont.
1995: Emily
Speaks, Hart House Performance Series, University of Toronto.
1992: Emily
Speaks OSEA conference, Art Gallery of Ontario, Toronto; Visual Arts
Centre of Newcastle, Bowmanville.
1991: Emily
Speaks, SAFIRE, University of Western Ontario.
This
is my body, academia..., OISE, Toronto.
Here's
Rue for You, Hamilton Artists' Inc., Toronto.
1990: Rocking
the Boat, Women's Common, Toronto; script published by Paperplates
1993.
1989: Remaking,
Glenhyrst Gallery of Brant, Brantford.
1988: Remaking, Hamilton Artist's Inc.,
Hamilton.
Emily
Speaks, Niagara Artists' Centre, St. Catherines.
1986: Emily Speaks, Gallery 101, Ottawa;
Kingston Artists' Assoc. Inc.; Hamilton Artists' Inc., Hamilton; The Banff
Centre, Alberta.
1984: Emily
Speaks, Women and Words Conference at A Space Gallery, Toronto.
1983: Emily
Speaks, Women's Cultural Building, Toronto.
Soundings
of the Heart, Free
Times Café, Toronto.
Collaborative
Performances (ARTIFACTS performances are with
Leena Raudvee):
2020: Walk softly on the
Land….with Christine Durant, Carbon Art & Design & Intersections http://intersects.ca/
Terminalia: Walking Women in
collaboration with Walking Women’s Network (ARTIFACTS & WIAprojects),
Grange Park, Toronto for Terminalia, University of Wales, Aberystwyth.
2019: General(s)
Labour, ARTIFACTS, Doors Open,
401 Richmond Street, Toronto.
2018: ` Dragging
the Debate, ARTIFACTS, Maison Depoivre, PEC.
2017: Listening:
On the Architecture of Aging, ARTIFACTS, Made of Walking, La Romieu,
France.
2015: Precarity
with Irene Loughlin and Adriana Disman, Margaret Dragu, Christine Brault, Link
& Pin/RATS 9, Montreal July.
Feminist
Architectures: A Performance, ARTIFACTS for PROCESS, Artscape
Youngplace, Toronto,
2014: Stillness,
ARTIFACTS, Toronto/Bloomfield, WIAprojects.
Discourse at
Sea, New Dark
Times Cabaret, ARTIFACTS with Sarah Sheard, Toronto Island.
Provoking
Collaboration, ARTIFACTS, Hart House, University of
Toronto.
2013: Entertaining
without a Maid, ARTIFACTS, Hart House, University of Toronto.
A Time
to Fall (WIAprojects). In collaboration with Amy
Sharrocks (Sculpture Shock resident at the Royal British Society of
Sculptors, London UK), Trinity Bellwoods Park, Toronto.
Distended Topographies
ARTIFACTS, EdgeZones, Miami International Performance Art Festival. Curator:
Charo Oquette.
Headaches II, ARTIFACTS, Feminist Art Conference, Toronto, ON.
ROCK WALK, ARTIFACTS, Global
Performance Walks 2013, curated by Ignacio Péréz.
2012: Pentimenti,
ARTIFACTS, Gallery 1313, Toronto.
Storm day, night jazz,
ARTIFACTS, DPNCHC, WIAprojects, Toronto.
Individual
Points of Fiction, ARTIFACTS, A Space
Gallery, Toronto.
60-60-60:
A Performance Action, ARTIFACTS, CWSE Gallery.
2011: Palimpsest, ARTIFACTS, Toronto
Free Gallery.
2010: Homage to Margaret: Cleaning and Loving It,
ARTIFACTS, CWSE Gallery, OISE UT. International
Women’s
Day.
2009: At the Lighthouse: Death I'm So Over That,
Gibralter Point Centre for the Arts (with Leena Raudvee and John Oughton)
Headaches
II, ARTIFACTS, CWSE Gallery, OISE/UT.
2008: Neurotic Playground: Distress, Tension,
Irritability, Red Head Gallery, Toronto (with Lo Bil).
2005: In/Valid, ARTIFACTS, CWSE,
OISE/UT, Toronto.
2003: The Voyage Out... ARTIFACTS,
Hysteria: A Festival of Women,
Buddies in Bad Times Theatre, Toronto.
Remnants
and Recoveries: The Performance,
ARTIFACTS, A Space Gallery, Toronto.
2001: Passing, ARTIFACTS, 7A 11D
International Festival of Performance, Toronto.
2000:
Fragments, ARTIFACTS, V.
MacDonnell Gallery, Toronto.
1998: Dance with Chairs, with
9-year-old daughter, Erin Oughton, Yoko Ono Birthday, Toronto.
1993: Invoking the Grove with BAAWA,
Royal Botanical Gardens, Hamilton.
1989: Crossing the Street, ARTIFACTS
Hamilton Artists' Inc., Hamilton.
A
Story, ARTIFACTS, Euclid Theatre, Toronto.
Detale
(detail), ARTIFACTS, ROUNDUP, Toronto.
Attending
II, ARTIFACTS, A Space Gallery, Toronto.
1987: The
24-Karat Carrot with John Oughton, Robert Persichini, Tarragon
Spring Arts Fair, Toronto.
Attending
the Interior, ARTIFACTS, The Banff Centre, Alberta.
1984: Suburban
Mirage, ARTIFACTS, Winchester Street Theatre, Toronto.
Headaches
for the Unit,
ARTIFACTS, Feminist Cabaret, Horseshoe Tavern, Toronto.
Unwinding,
ARTIFACTS, Alter Eros Festival, Toronto.
1983: Ghost
Trio, ARTIFACTS, Theatre Centre, Toronto.
Female
Laundry,
ARTIFACTS, A Space Gallery, Toronto.
Madame
X from Planet X, ARTIFACTS, Artifacts, Toronto.
Entrapment,
ARTIFACTS, Partisan Gallery, Toronto.
Collective
Performances:
2021: Skyline Walking, with artists
from London UK, Ukraine, Russia, and Canada facilitated by Alisa Oleva,
supported by Black Tower Broadcasts in conjunction with Urban Night
Project: Midnight Sun, London, UK.
City for Her joint IWD walk with
artists from London UK, Glasgow, Scotland, Ukraine, Kiev Russia and Canada -
supported by EU program House of Europe as a part of Femhouse Week: Women \
Cities \ Arts.
2020: #WalkCollage with Alisa Oleva, Casson & Friends,
London, UK (WhatsApp). http://www.cassonandfriends.com/candfblog/walkcollage
National
Day of Remembrance and Action Dec 6 @ 6, 14 Reading 14. ARTIFACTS &
WIAprojects & OCADU. (zoom)
walking next to each other with Alisa Oleva, Atom
Art Group, London/Russia. (WhatsApp)
safe/unsafe with Alisa Oleva - This
project was part of "Woven Network / Women Network" - a 6-month
virtual art-residence of 7 female artists from 5 European countries exploring
the theme of invisible work and reinventing the hierarchic digital web into a
horizontal network - supported by House of Europe and partnering with Платформа
ТЮ (Ukraine), Intercult (Sweden) and Fablevision Studios (Scotland). I was invited to participate in this performance from Canada (WhatsApp)
Tracing
the Inside: A Collective Action with Alisa Oleva, Performistanbul
(zoom)
View
from the Window: Collective Looking with
Alisa Oleva, Artsvit gallery, Dnipro (zoom)
Unlocked Walks No 4: 'touching with
your eyes' with
Alisa Oleva, the Residents Association, Edinburgh (zoom)
Solo
Exhibitions:
2020: What May I… Carbon Art & Design, Intersections,
Prince Edward County.
2018: Undiminish’d in process, Gallery 1313, Toronto.
2017: Pleasure decodes for me another language…. The Vic, Prince Edward County, Curator: Hri
Neil.
2011-12:
Land:
A Cornerstone, Sparkbox, Prince Edward County.
2008: Travelling, Fleishman
Gallery & Centre for Contemporary Canadian Art, Toronto.
Cellu(h)er Resistance: The Body with/out Organs? FADO
Idea Series , Xpace Cultural Centre, Toronto.
1999: Sandbanks,
Milford Coffee Gallery, Prince Edward County.
1998: Communitas in Context, Union
Gallery, Queen’s University, Kingston.
1997: Guest Artist, Gallery 121, Belleville, Ont.
1995: Communitas in Context,
Broadway Cinema Gallery, Hamilton.
1994: Mapping the Familial, Visual Arts
Centre of Newcastle, Bowmanville.
1993: Mapping
the Familial, Annex Art Centre Gallery, Toronto.
Solo
Collaborative or 2-Person Exhibitions:
2019: Has
the Artist Been Paid? ARTIFACTS, Carbon Art & Design, Prince Edward
County.
FACIO,
ARTIFACTS, Process Gallery, Gallery 1313, Toronto.
2018: Tiny
Homes: Everyone is Downsizing, ARTIFACTS, Window Box Gallery, Gallery 1313,
Toronto.
See
Jane Run, with Natalie Piper as slit, Carbon, Prince Edward County.
You
Were Asking? with Rhonda Nolan, Artistic Inkings,
Prince Edward County.
The
past whispers, ARTIFACTS, Fleishman Gallery, Toronto,.
2017: ARTIFACTS’
ARTEFACTS: the generals, ARTIFACTS, Process Gallery, Gallery 1313.
2015: Feminist
Architectures ARTIFACTS with Dina Georgis, Adrienne Reynolds, Artscape
Youngplace/WIAprojects/FAC.
2013: Headaches
II, ARTIFACTS, Feminist Art
Conference, Toronto, ON. Curator: Ilene Sova.
2012: Individual Points of Fiction, ARTIFACTS,
A Space, 401 Richmond Street, Toronto.
2011: Performing Acts, ARTIFACTS,
Toronto Free Gallery.
2009: Headaches
2, ARTIFACTS,
CWSE, OISE/UT.
2006: In/Valid, ARTIFACTS, CWSE, OISE/UT.
2001: Artifacts: Remnants and Recoveries,
an ARTIFACTS retrospective, ARTIFACTS, Belleville Public Gallery.
1999: Holding (a small boat on a blue-black sea),
ARTIFACTS, WARC, Toronto.
1998: Like a Brief Breeze, ARTIFACTS, The
Banff Centre, Toronto.
1997: Like
a Brief Breeze, ARTIFACTS, Annex Art Centre, Toronto.
1996: Like a Brief Breeze, ARTIFACTS,
Hamilton Artists Inc.
Group Exhibitions:
2021: Portraits
of Resilience, Art Gallery of Ontario (online - group)
heART of healthCARE, https://artspaces.kunstmatrix.com/en/exhibition/5241209/heart-of-healthcare
(online)
Changing Landscapes, Gallery 1313, Toronto (online).
unpacking pandemic pondering: strain, stress, and subversion Gallery 1313/OCAD University, Toronto (online).
COLLAGE 2021, John B. Aird Gallery, Toronto, ON (online).
The Lockdown Show, Gallery 1313, Toronto (online).
Fempocalypse 2021, Nightwood Theatre (online).
2020: Brave New World, Gallery 1313, Toronto.
Eco-Art 2020, Gallery
1313, Toronto.
Being Radical, CSEA
online exhibit, with Angie Ma, Vicky Talwar, Leila Talei https://csea-scea.ca/portfolio-item/pam-patterson-2/
Storying
Loss: A Critical Analysis Process for/as Pedagogy, 113Research, OCAD University, Toronto with Leila
Talei, Angie Ma & Vicky Talwar.
2019: Artists@Work, ARTIFACTS, Carbonized, Carbon Art & Design,
Prince Edward County.
Positive
Masculinities,
Maison Depoivre, PEC, ON.
Land-LIMINALITY-Loss with Leila Talei, Angie Ma, &
Vicky Talwar, OCADU Graduate Gallery.
Precarity/Parity, Art
Textile, Maison Depoivre, Picton, ON.
See Jane Run by
slit with Nat Piper, Roots and
Tendrils, MAAWA, Winnipeg, MN.
The
Portrait Exhibition, as ARTFACTS, Gallery 1313, Toronto.
2018: Fordnation with
Nat Piper, Leena Raudvee & Caleb Murray for Artists’ Protest Project.
Positive Masculinity, Maison
Depoivre, PEC.
Land(e)scape, with Natalie Piper as slit for Landscape, Gallery 1313, Toronto.
Sunset – West Point,
Carbon: Art & Design, Prince Edward County, ON.
The Listening Ground, ARTIFACTS
& Miklos Legrady, ECO ART,
Gallery 1313, Toronto.
The
Gathering - Pluralism in Arts Practice - Contemporary Intersections, OCAD
U, Toronto.
Kilkenny Arts Festival,
Shankill Fringe Exhibit, Kilkenny, Ireland.
OSA
Open Juried Exhibition, ARTIFACTS, John B. Aird Gallery,.
2017: Who are
You? Red Head Gallery, Nuit Blanche.
MAAWA: Feminist Futures, MAAWA,
Winnipeg.
County
Contemporary II,
ARTIFACTS, Prince Edward County.
FAC 2017, OCAD
University
2016: County
Contemporary, Prince Edward County.
2015: f
generation: feminism, art, progressions, George Paton Gallery, University
of Melbourne, Australia.
The War
Report with
Hri Neil, Leena Raudvee, Sylvat Aziz, as ARTIFACTS - WIAprojects, Prince Edward County.
Provocations, ARTIFACTS
with Miklos Legrady, FAC 2015, Toronto.
Feminist FOMONOMO, OCAD
University, ARTIFACTS with Miklos Legrady.
2012: Autopathographies, Oboro
Gallery, Montreal, Curator: Tamar Tembeck.
2011: Wildfire:
The Milkweed Collective, Le Studio Gallery, Lafontaine, ON.
In/Valid,
ARTIFACTS, Being She: The Culture of
Women’s Health and Health Care through the Lens of Wholeness, Gladstone
Hotel & Women’s College Hospital.
2010: The Trans-Cultural: Women in Performance, CWSE Hallway Gallery, Toronto.
2009: Autopathographies, Künstlerhaus
Büchsenhausen, Innsbruck, Austria. Curator: Tamar Tembeck.
Artists of
the Gallery, Hangman
Gallery, Toronto.
2006: Solstice, Wonderworks Gallery, Toronto.
2004: Baghdad Museum, BAAWA, Visual Arts
Centre of Clarington, Propeller Gallery (Toronto), The Latcham Gallery,
Stouffville.
2002: Performance Art Today Project, International
Multimedia Art Festival, Odzaci, Yugoslavia.
The
Road Less Travelled, Arts Project, London, ON.
2001: Travelling Between Worlds:
Locations/Dislocations/Relocations, with
Sylvat Aziz at WARC Gallery, Toronto and with Carol Laing and Sylvat Aziz,
Union Gallery, Queen’s University, Kingston.
1999: On the Land: Shaping the County, Ameliasburg
Museum, Prince Edward County, (3-person show).
1997: The Toy Show, A
Space Gallery, Toronto.
The Boxing
Day Show, A
Space Gallery, Toronto.
1996: Text, Burlington Art Centre,
Burlington (4 person show).
Consanguinity:
A Familial Connection, Annex Art Centre, Toronto.
Celebration
of Women in the Arts, University of Toronto.
1995: The
C.H.I.L.D. Project, Gallery Gachet, Vancouver B.C.
Moving
Memories, Arts in Action, Toronto.
Defining
the Site, Art Gallery of Hamilton, Hamilton.
The
Lunchbucket Revisited, Hamilton Artists Inc., Hamilton.
Domestic
Objects and Other Stories, BAAWA, Annex Art Centre, Toronto.
Thank
You Stew, Arts in Action, Toronto.
BAAWA
International Women's Day Exhibition, The Broadway Cinema Gallery,
Hamilton.
1994: Proximities: The You Are Here Factor,
BAAWA, Hamilton Artist's Inc.
1993: Invoking
the Grove, BAAWA, Royal Botanical Gardens, Hamilton.
1992: Birthtales,
A Space Gallery, Toronto.
The
Quality of Daily Life: A Woman's Business, Barrie City Hall, Barrie.
1991: The
Flower Show, BAAWA, Hamilton
Artists' Inc., Hamilton.
Don't
Remain Silent, A Space Gallery, Toronto. Curator: Susan Beamish.
1990: Labour
of Love: Feminist Perspectives on Motherhood, Women's Common,
Toronto.
Housing,
A Right, The Power Plant, Toronto.
Don't
Remain Silent, Woman's Common, Toronto.
1989: The Eccentric Furniture Show,
BAAWA, Glenhyrst Gallery of Brant, Brantford.
Video:
2021: COVID
Anxiety (video) Navigating and Creating, CSEA Online Juried Exhibition
(w/ Daniel Payne and Joanna Black)
Fluting (w/ Daniel Payne), Fempocalypse 2021,
Nightwood Theatre.
2020: COVID-19 Anxiety: Location, Refuge &
Loss, for a Canada Council Strategic Initiatives Digital
Futures COVID-19 project with Joanna
Black & Daniel Payne.
2019: Artists@Work with Hri Neil, ARTIFACTS, Carbon
Art & Design, Prince Edward County.
2018: Pam Patterson: Selected Retrospective, Carbon Art & Design, Prince Edward
County.
2014: Loving in the War Years, County
Contemporary II, Prince Edward County.
2013: RED Square, videoperformance,
TorinoPERFORMANCEART International Festival 2013, Turin, Italy.
2010: Cellu(h)er Resistance: A body with/out
organs? In/Tensions, York University, Toronto.
2007-9:
Now
we are dancing.... with Nancy Halifax.
2006: Taking action: Right(s) in/to health and the
body with Charles
Garoian and Faith Wilding, Performance Studies International #12, Queen
Mary College, London, U.K .
2002: ARTIFACTS performs, ARTIFACTS,
HIVE, Toronto.
1989: A
Story, ARTIFACTS.
Audio:
1991: Women
and Words, CIUT Radio, Toronto.
1987: Punningly
she lunged... , CKLN Radio, Toronto.
Articles/Short Essays//Interviews/Reviews About:
2021: Zoratti,
J. (2021). Anxiety Unmasked, Winnipeg
Free Press, 15/04/2021 D001.
Paradis,
S. (2021). COVID-19 Anxiety in the Age of the Anthropocene, Research
Life,
University of Manitoba, Winter, Vol 1, p. 23.
ARTIFACTS:
Generals Labour, Emergency Index Vol 9, Brooklyn NY: Ugly Duckling
Presse.
Public Art in
the Pandemic in Grapevine, County FM 99.3 , Friday
Feb 19th 12:30pm & 6pm.
2020: 20 X 20 Visions, Talking Walking,
Museum of Walking, Andrew Stuck (Editor) London, UK.
ARTIFACTS:
Dragging the Debate, Emergency Index Vol 8, Brooklyn NY: Ugly Duckling Presse.
2019: ARTIFACTS:
Listening: On the Architecture of
Aging, Emergency Index Vol 7, Brooklyn NY: Ugly Duckling Presse.
2018: Art Resonance, Snap’d,
Bloor West, Toronto.
2017: Talking/Walking with ARTIFACTS: Pam
Patterson & Leena Raudvee. http://www.talkingwalking.net/
2014: Autopathographies: Illness, (Self-)
Representation, Collaboration. In Auto/Pathographies
by Tamar Tembeck (Alma QC: Sagamie)
2008: A Journey around Pam Patterson's
Cellu(H)er Resistance by John
Oughton, FADO, Idea Series.
2007: The Scar of Visibility: Medical
Performances and Contemporary Art by Petra Kuppers, Minneapolis: University
of Minnesota Press.
2004: What if Art Acts? by Paul Couillard. In Caught
in the Act: An Anthology of performance art by Canadian Women by Tanya Mars
& Johanna Householder (Toronto: YYZ Press)
2001: Beyond the Framework, The Intelligencer,
Sun. Aug.12.
Performance
Artists ask what if art acts? The Community Press, Aug. 10.
A
Review: Mapping the (un)familiar, Resources for Feminist Research, 28
(½).
1992: Birthtales: Forbidden Work by Hidden Artists,
Women’s Art Magazine (England), #47, July/Aug.
1991: Labour of Love: Feminist Perspectives on
Motherhood, MATRIART: A Canadian Feminist Art Journal 1(1).
1990: Arresting Images Recall Tragic Shootings, Globe
and Mail, Toronto, July 21.
1989: When
Does Furniture Become Art? Hamilton Spectator, Hamilton.
1984: Top
Loading Performance Art, NOW, Toronto.
Scripts
- Performance, Theatre, Radio:
2002:
The Girls, performance
script, Art Gallery of Ontario, Toronto.
1991: This is my body academia...,
performance, Ontario Institute for Studies in Education, Dec.
Here's
Rue for You, performance, Hamilton Artists' Inc., June.
Women
and Words, radio, CIUT FM Toronto.
1990: Rocking the Boat, performance,
Woman's Common, Toronto. Published 1994 in Paperplates 2 (1).
1989: Crossing the Street, performance, ARTIFACTS,
Hamilton Artists' Inc., Nov.
A
Story, performance/video, ARTIFACTS performed by Leena Raudvee,
Euclid Theatre, Toronto.
Detale
(detail), performance, ARTIFACTS,with Leena Raudvee, Roundup,
Toronto.
Attending II, performance, ARTIFACTS,with Leena
Raudvee, A Space Gallery, Toronto. Radio short for CKLN radio, Toronto.
1988: Remaking, performance, Hamilton
Artists' Inc.
1987: A Pocketful of Posies,
theatre/performance, with Mark Norris, Banff InterArts production directed by
Jill Rosenberg.
Attending
the Interior, performance, ARTIFACTS,with Leena Raudvee, The Banff
Centre, June.
Punningly
She Lunged..., radio play, CIUT FM, Toronto.
The
24 Karat Carrot, play, Tarragon Spring Arts Fair, Toronto.
1983: Entrapment, ARTIFACTS,performance,
with Leena Raudvee, Partisan Gallery, produced by Women's Perspectives.
Emily
Speaks, Woman's Cultural Building, March.
Soundings of the Heart,
performance, Free Times Café, Toronto. Performed with Geordie MacDonald.
Selected Recent
Other Experience:
Artist in
Residences: The Art of
Conversation a creative community-based isolation connection project
in collaboration with/funded by Community Care for Seniors and the Prince
Edward Arts Council (February – April 2021). Dissemination as book: traveling
mattes, Toronto/WIAprojects.
Shankill
Castle Residency, Ireland (Sept. 2017).
Artistic Director, WIAprojects, an arts-informed, feminist-inspired
exhibition, publication, research and mentoring program at the CWSE, U. of T. (2004
until June 2019) & at Gallery 1313 (2018-present).
Gallery Assistant and Educator: 2Gallery, Prince Edward County
(since 2019).
Director/Committee Chair, 113Research: Exhibitions, OCAD
University, Toronto (since 2019).
Assistant Professor, TIS, Cross-Disciplinary, Faculty of Art, OCAD University (since 2010).
Research
Fellow, NSCAD, Graduate Art Education (July 2019-present)
Educator,
Westin Family Learning Centre, AGO (11 years to 2011).
Co-director,
ARTIFACTS Performance Art Inc., Toronto (1983-present)
Independent curator
& writer.
Artist in Residence:
Shankill Castle, County Kilkenny, Ireland.
(2017)
Guest Editor,
Canadian Art Teacher, CSEA, NSCAD (2019-2020)
Former Head,
Fibre, & Curator for Art in Public Spaces, The Banff Centre.
Founding BOD
for FADO International Performance Art
Founding BOD
member, Matriarts: A Canadian Feminist Art Journal, WARC, Toronto.
Awards:
Ontario
Arts Council, Arts Response Initiative: Project Grants for Individuals (2021).
Manitoba
Arts Council grant for “COVID-19 anxiety in the age of the
Anthropocene”, Joanna Black (PI).
Creative
Works Project Grant for “COVID-19 anxiety in the age of the Anthropocene,”
University of Manitoba (2020) (Co-Applicant, Joanna Black, PI)
Canada
Council for the Arts - Strategic Funds and Initiatives Digital Originals (2020)
(PI)
Seed
Development Grant, OCADU for COVID-19
anxiety: Investigating social and political implications of “location,”
“refuge,” and “loss” in the Anthropocene (2020) (PI)
Ontario
Arts Council, Exhibition Assistance Grants: (approx. three/year to a yearly
total of $2000 -1989-present)
Deaf and Disability Visual Art Materials Grant,
Ontario Arts Council (2018, 2020)
Gaitskell Award, Canadian Society on Education
through Art, 2018, CSEA – outstanding lifetime contribution to research and
teaching in art education.
Belleville Community Arts & Culture Grant (2017–
mentor WIAprojects’ for Candace
Wilkins)
Inspired Teaching Award, Faculty & Curriculum
Development Centre (FCDC), OCADU (2014)
Toronto
Arts Council Project Grants for WIAprojects (2012/13, 2013/14)
Jackman
Humanities Institute Program for the Arts, UTSC/WIAprojects, University of Toronto (2011-12)
Cultural
Pluralism and the Arts, UTSC, University of Toronto (4): (2010-2013)
Canada
Council Travel Grants (2): (2005, 2008)
Ontario
Arts Council, Visual & Media Arts Project Grant (2002)
OISE
Graduate Bursary for PhD, University of Toronto (1999-2000)
PhD
Scholarship, University of Toronto (1993-95).
Writer's
Recommender Grant, OAC, Second Story Feminist Press (1993).
Creative
Artist in the Schools, OAC (3): (Feb. 1984, Dec. 1984, Oct. 1986).
Playwright
Recommender Grants (2), OAC, Factory Theatre Lab, Nightwood Theatre (1984).
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